Monday, February 8, 2010

ER, For Real

Paul R. Linde is Clinical Professor of Psychiatry at the University of California, San Francisco. He's also worked in a psychiatric emergency room. He tells of his time in the ER in his new book Danger to Self: On the Front Line With an ER Psychiatrist. The San Francisco Chronicle said, "Linde's fast-paced but well-detailed accounts supply the wild, loud, chaotic, smelly and dangerous but also mostly moving 'scripts' that could easily be a TV show."

Here's an excerpt from the first chapter of Danger to Self: On the Front Line With an ER Psychiatrist:

My first night at work is an unseasonably warm evening in the summer of 1992. The customary layer of fog has not yet descended on the city. The psych emergency room is stuffy, the ventilation poor, the ceiling’s air vents clogged with lint and dust. A faint whiff of fresh feces and old urine, ineffectively masked by a cloying cinnamon-scented spray, hangs about the place. It is then that I understand why state hospital psychiatrists smoke cigarettes on the job--to cut the stench.

Though I had worked there for a week as a fourth-year resident just a few months earlier, this is my initial performance as an authority figure in psych emergency. At this point, I haven’t worked a shift yet. I had just returned, lean and refreshed, from a month’s holiday spent traveling with my wife in a 1984 Volkswagen camper van through the Pacific Northwest and the Rockies. I had enjoyed an invigorating taste of freedom on this trip, and now I was beginning my career on a lockdown. Though I was getting paid for my time and had chosen this vocational path, I was still working in a place for which a key was required to get out.

Suddenly, a rather large, unkempt man, a scowl on his face, stumbles out of one of the four seclusion rooms and ambles to the desk.

“What do you want, George?” asks Christina.

“I need to take a piss.”

“Get back in that room, or we’ll have to tie your ass up and give you a shot.”

“But I need to go real bad.”

“Get back in there. I’ll bring you a urinal.”

“I want to pee in a fuckin’ toilet, not a fuckin’ bottle.”

“Get back in there, George. Now.”

“Fuck you, you slanty-eyed bitch,” he says as he comes half-lurching, half-lunging toward the desk.

“Staff!” yell the nurses.

“For that,” Bo says, “he’s going into points.” The shorthand points is emergency room slang for the four points at which a patient’s extremities are attached via restraints to a bed bolted to the floor of a seclusion room. I’m not sure, when Bo says “that,” whether he’s referring to the menacing stance or the racially charged barb or the whole package.

Since I am not officially on duty and am new to the place and generally inexperienced, I step back. Three staff members rush to the scene and grab George by the hands and around the waist and escort him roughly to his seclusion room, where he lies down on the bed without a struggle. “Do we need to call IP?” asks one. At the time, the hospital was staffed by bona fide San Francisco institutional police officers, whose station was next door. We called them often.

“Nah,” said Christina as she deftly encircles one of George’s wrists with the belt loop of a leather restraint. All four of George’s extremities are now strapped by restraints. Seemingly accustomed to this routine, George lies passively, his body supine on a clean white sheet.

“George, why did you have to go and do this?” asks a psych tech. “You’re gonna get a shot now, too.”

“Yeah, but I’m allergic to Haldol.”

“Sure, George, sure.”

A nameless, faceless doctor wrote the order for restraints and Haldol. Or maybe he just signed an order that the nurse had written herself on an order sheet. That was standard operating procedure in those days. Sitting in the staff room would be some MD who was happy to sign whatever order was placed in front of him. Technically the restraints could not be applied, and an injection could not be given, without a doctor’s order. But who was really calling the shots?

This process was bluntly dubbed “shoot first and ask questions later” or simply “tie ‘em up and shoot ‘em up.” It was also called “let ‘em prove to us that they’re okay to come out of restraints.” The burden of proof lay with the patient. It might seem like a pathological need on the part of both nurse and doctor to control things, but the process of restraining and medicating a psychotic patient becomes a necessary and therapeutic step in the patient’s treatment. Giving truly ill patients sedatives and antipsychotic medications allows them a chance to regain a piece of sanity--to tamp down anxiety, hallucinations, and paranoia.

George receives a large injection, the solubilized medications mixed into a single syringe and delivered via an eighteen-gauge needle into the upper outer quadrant of his left buttock, where the thick muscle can soak up all those good tranquilizers and get them on their way to his brain. Venous capillaries absorb the drug, the blood then transports it via circulatory branches to the inferior vena cava, upward to the right atrium of the heart, down to the right ventricle, then to the lungs to pick up oxygen, back to the left atrium, and then down to the left ventricle, which ejects the blood carrying the drug into the ascending aorta and carotids into the brain.

George’s brain, with its dopamine, histamine, benzodiazepine, and GABA (gamma-aminobutryric acid) receptors receiving the signals, decelerates to a resting pace. Not down for the count, mind you, but it descends to a mild snooze. The blockade of the dopamine receptors in the limbic system begins to dissolve the man’s psychotic symptoms. Biologically, it’s complex. Phenomenologically, it’s a cakewalk: man goes to sleep crazy; man wakes up calmer, if not saner.

As I was soon to discover, the medication process was perpetuated because Christina and a few of her peers had become pretty talented mental health clinicians by dint of their experience. And, of course, she was someone to be, if not feared, then at least approached with some caution. By then, several of my physician colleagues were streaming past me toward the meeting room. “Thanks for the doughnut,” I say. “You know, Bo, this place reminds me of a bitter and twisted summer camp, and we’re like the counselors.”

“Oh, yes, honey, you are so right,” he says.

“Or maybe something like a twenty-four-seven casino, and we’re just like the blackjack dealers or the floorwalkers.”

“It is kind of like that,” says Bo. “And much, much more. You just wait and see, girl.”

When I leave the meeting an hour and a half later, I see George the patient careening around in front of the triage desk, none the worse for wear. He has slept off his injection, and I’m sure a psych tech helped him pee into a urinal while he was in restraints. (They wouldn’t let him piss himself in points. They weren’t that mean.) And, frankly, it seems that George has woken up from the shot much less irritable and at least a bit less crazy. It did him no harm.



Dr Paul Linde will be Sunday, February 21, at 4:00pm. Details are here.--David E

Sunday, February 7, 2010

"Wells Tower is a serious wiseacre"

This Star Tribune talked to Wells Tower about his short story collection Everything Ravaged, Everything Burned. Like almost everyone else in the known universe, they love it: "Written with startlingly original voice, careening imagination and an abiding fondness for what Teabaggers would call "the non-elites," his stories are set in a surreal America we know, but aren't sure we want to." The whole interview is here.

Meet Wells Tower Tuesday at 7:30pm, when he visits Magers & Quinn. Details are here.--David E

Saturday, February 6, 2010

You Have to Read These

If you came in the store this week and asked me what's good, I'd size you up and give you one of two recommendations. Since you look like a strong reader, I'll give you both my suggestions.

Amy Bloom visited M&Q in 2008 to read from . She was funny, wry, and utterly entertaining. Now she's back with a new collection of interconnected short stories, Where the God of Love Hangs Out. Her haute bourgeois characters drink their wines and mourn their lost loves with elan--French words abound. Francine du Plessix Gray, writing in this week's New York Times Book Review raved, "Brava, Ms. Bloom. Send us an equally sly, dashing book very soon, please."

I've been a fan of David Peace since I read his Yorkshire Ripper quartet, which chronicles a grisly series of murders in the north of England. (Watch for the movies, coming soon.) His latest book--Occupied City--is set in his current home, Tokyo, but in many ways, he's still covering the same ground. Reports the Independent, "Occupied City pieces together the investigation into the 1948 Teikoku Bank massacre, in which a man posing as a doctor from the occupying forces pretended to administer a dysentery vaccine to 16 bank employees, and instead poisoned them with cyanide, killing 12 instantly." Peace's writing is incantatory. If you like your chills served up in high literary style, this is the book for you.--David E

Friday, February 5, 2010

Extra! Extra!


Issue number 33 of McSweeney's Quarterly is available now at Magers & Quinn. It's a one-time-only, Sunday-edition "newspaper"--the San Francisco Panorama. It has news, sports, and arts coverage, and comics--plus sixteen pages of glorious, full-color comics, from Chris Ware and Dan Clowes and Art Spiegelman and many others. Eggers and Co. aim to demonstrate the great things print journalism can (still) do, with as much first-rate writing and reportage and design.

Get your copy while they last. They won't last long.--David E

Bookish

We have some passes to an advance screening of Martin Scorsese's long-awaited film version of Dennis Lehane's novel Shutter Island. The preview will be at the Mall of America on Thursday, February 18, at 7:30pm.

Stop in and get your pass while supplies last.--David E

Thursday, February 4, 2010

Through the Airwaves

Wells Tower, author of the acclaimed short story collection Everything Ravaged, Everything Burned talked to MPR's Midmorning show this morning. If you weren't able to call in, you can ask talk to him next at 7:30pm next Tuesday, when he will be at Magers & Quinn. Details on the event are here.--David E


Books vs TV



From the Bookshelf Blog.--David E

Wednesday, February 3, 2010

Coffee House Press Seeking Development Manager

Position to start May 1, 2010
Application deadline February 28, 2010

Coffee House Press is one of the leading nonprofit literary publishers in the United States. We publish books that push cultural and formal boundaries, challenging readers to new points of view.

Coffee House Press seeks a full-time Development Manager, to begin on May 1.

Duties: This person will, under direction of the Publisher, assist with the creation of the development plan and goals; manage and administer the writing, submission, tracking, and reporting of grants; coordinate the individual giving program; maintain all development records and files; work with board fundraising committees; implement other related fundraising duties as assigned.

Minimum Qualifications: Three years in development experience, familiarity with donor databases, B.A. or equivalent; excellent writing and public speaking skills.

Preferred Qualifications: Development work in the arts or publishing.

Salary: Dependent on qualifications, $34,000 to $38,000 per year.

To Apply: Please send cover letter, resume, and contact information (phone numbers and e-mail addresses) of at least two references to: Teri Hageman teri@coffeehousepress.org. Or send to Teri Hageman, Coffee House Press, 79 Thirteenth Ave. NE #119, Minneapolis, MN 55413. Applications will be accepted until February 28. Coffee House Press is an equal opportunity employer.

The mission of Coffee House Press is to publish exciting, vital, and enduring authors of our time; to delight and inspire readers; to contribute to the cultural life of our community; and to enrich our literary heritage. By building on the best traditions of publishing and the book arts, we produce books that celebrate imagination, innovation in the craft of writing, and the many authentic voices of the American experience. We publish books of fiction, poetry, and some nonfiction.

Vision:

  • Literature. We will promote literature as a vital art form, helping to redefine its role in contemporary life. We will publish authors whose groundbreaking work helps shape the direction of 21st-century literature.
  • Writers. We will foster the careers of our writers by making long-term commitments to their work, allowing them to take risks in form and content.
  • Readers. Readers of books we publish will experience new perspectives and an expanding intellectual landscape.
  • Publishing. We will be leaders in developing a sustainable 21st-century model of independent literary publishing, pushing the boundaries of content, form, editing, audience development, and book technologies.

Look at the Mountains, Man


The sales copy for this rack says, "It mounts in seconds to virtually any road, mountain or stationary bike."

Really?! I'll agree that it would be good to have on a stationary bike, but reading on a road bike is just foolhardy. And don't get me started about dipping into a favorite volume while on a mountain bike.

Details are here.--David E

Tuesday, February 2, 2010

Read Alison Moore's short story The Apartment

We're back with another winning piece from our flash fiction competition miniStories. miniStories is part of mnLIT, which is presented by Magers & Quinn Booksellers and mnartists.org.

This week's winner is "The Apartment" by Alison Morse. All the winning stories, as well as the poems from our What Light contest will be published on magersandquinn.com and mnartists.org in the months to come. So come back soon!

Alison's story was selected by novelist David Oppegaard, author of Wormwood, Nevada.

Click here to read Alison's story.--Jay P

How Many Bookers Is Too Many?

When it was originally launched in 1969, the Booker Prize (now the Man Booker Prize, in honor of the ), was retrospective. That is, 1969's prize was open to novels written only in 1968. Two years later, the competition was reorganized to feature the current year's writing. In effect, then, there was no award for novels written in 1970.

To rectify the situation, a list of 22 novels written in the missing year has been posted at the MPB's website. A shortlist will be announced in March, and the world can vote until May when the winner will be announced. Details and the complete list of nominees are here.--David E

Wells Tower reads from Everything Ravaged, Everything Burned


To celebrate the release of the paperback edition of his award-winning collection of short stories Everything Ravaged, Everything Burned, Wells Tower will read at Magers & Quinn Booksellers (3038 Hennepin Ave S, Minneapolis; 612/822-4611).

Well's Tower's book was a smash hit when it was first published in 2009. Michiko Kakutani said in The New York Times, "This arresting debut collection of stories decisively establishes Mr. Tower as a writer of uncommon talent." Wells Tower's version of America is touched with the seamy splendor of the dropout, the misfit: failed inventors, boozy dreamers, hapless fathers, and wayward sons. A man is booted out of his home after his wife discovers that the print of a bare foot on the inside of his car's windshield doesn't match her own. A boy runs off to the carnival after his stepfather bites him in a brawl. And in the most talked-about story in the collection, Viking marauders descend on a much-plundered island, hoping some mayhem will shake off the winter blahs.

"Wells Tower's stories are written, thrillingly, in authentic American vernacular--violent, funny, bleak, and beautiful. You need to read them, now."--Michael Chabon, author of The Yiddish Policemen's Union and The Amazing Adventures of Kavalier & Clay

Details are here.--David E

Talk of the Stacks

Talk of the Stacks, the Library Foundation of Hennepin County's glorious reading series, has announced its spring lineup:

Talk of the Stacks events are held at the Central Library in downtown Minneapolis (Pohlad Hall, 300 Nicollet Mall). They're free and open to the public. Doors open at 6:15 PM. Programs begin at 7 PM. Details are here.--David E

Friday, January 29, 2010

Without Comment

I refuse to watch myself on television, but I hear the store looks OK in this clip from last night's ten o'clock news.--David E

Thursday, January 28, 2010

The Linden and the Oak

Mark Wansa reads from his novel The Linden and the Oak, Thursday, February 4, at 7:30pm at Magers & Quinn Booksellers.

The culmination of nine years of work, including research and interviews in six countries, The Linden and the Oak is the epic story of two families and an ill-fated romance set against three very different backdrops: the impoverished, although occasionally idyllic, Carpatho-Rusyn peasant existence in Eastern Europe in the early 20th century; the horrific slaughter on the Eastern Front during World War I; and, finally, the voyage to a new life in ‘Ameryka.’ Partly the story of the author’s family, The Linden and the Oak is also the story of countless thousands of new arrivals from Europe who passed through Ellis Island. The historical context--Carpatho-Rusyn traditions and customs, World War I, and the immigrant experience--has been meticulously researched and offers fascinating insights into Eastern European culture.

This event is co-sponsored by the Minnesota Rusin Association. Visit them online at mnrusinassociation.homestead.com.

Details on this and all our events are here.--David E

Wednesday, January 27, 2010

Another winning poem by Jeff Johnson

"Lake Street" is the second poem by Jeff Johnson to be selected in this series of the What Light Poetry Contest. It was selected by our juror, poet Connie Wanek, who wrote, "This poem explores the insufficiency of language. The image of a baby riding backwards 'for safety' is full of nuance, and brings another touch of lightness to the scene."

What Light is a part of mnLIT, which is presented by Magers and Quinn Booksellers and mnartists.org.

Click here to read Jeff's poem and to learn more about the mnLIT contests.--Jay P